Memoirs: XIV. The advantages which he drew

Richard Wistreich

Handel: Memoirs 2

34 SECONDS

Album tracklist

1

Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): I. Allegro (2024 Remaster)

02:23

2

Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): II. Air (2024 Remaster)

05:17

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Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): III. Bourée (2024 Remaster)

00:42

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Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): IV. Hornpipe (2024 Remaster)

00:46

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Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): VI Allegro deciso (2024 Remaster)

03:03

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Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): V. Andante (2024 Remaster)

03:48

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Memoirs: I. At the time that Almeria

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Memoirs: II. The Price would often lament

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Memoirs: III. He assured him

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Memoirs: IV. The Prince the intimated

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Memoirs: V. Four or five years had elapsed

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Memoirs: VI. The number of schools and academies

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Memoirs: VII, And a foreigner

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Memoirs: VIII. Thou they seem

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Memoirs: IX. The younger Scarlatti

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Memoirs: X. Indeed, from the best information

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Memoirs: XI. They do not consider the advantages

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Memoirs: XII. Vossius having declared

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Memoirs: XIII. And might we not ask

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Memoirs: XIV. The advantages which he drew

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Memoirs: XV. It is the more to be lamented

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Memoirs: XVI. For though all men will agree

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Memoirs: XVII. The excellence of Mr. Addison

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Memoirs: XVIII. We left Handel just on the point of his removal from Italy

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Memoirs: XIX. With less experience

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Memoirs: XX. At the age of eighteen

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Memoirs: XXI. But, from the natural restlessness

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Memoirs: XXII. The nature of his design in travelling

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Memoirs: XXIII. At last, however, he consented

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Memoirs: XXIV. The theatre, at almost every pause

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Memoirs: XXV. This opera drew over all the best singers

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Memoirs: XXVI. Having mentioned

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Memoirs: XXVIII. Besides a fine collection of pictures and statues

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Memoirs: XXIX. There was also something in his manner

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Memoirs: XXX. Severall fruitless attemps

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Memoirs: XXXI. The ouverture for Il trionfo del tempo e del disinganno

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Memoirs: XXXII. Corelli gently lays down his instrument

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Memoirs: XXXIII. Hitherto Handel was chiefly been considered

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Memoirs: XXXIV. The first of these he became aquainted with

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Memoirs: XXXV. As he was an exquisite player on the harpsichord

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Memoirs: XXXVI. Handel used often to speak of this person

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Memoirs: XXXVII. Though no two persons ever arrived

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Memoirs: XXXVIII. While he was at Rome

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Memoirs: XXXIX. Ils seavent encore

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Memoirs: XL. Wheter his Eminence

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Memoirs: XLI. As he was familiar

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Memoirs: XLII. No hopes appearing of a real conversion

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Memoirs: XLIII. From Rome

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Memoirs: XLIV. How Handel executed his task

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Memoirs: XLV. After he quitted Naples

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Memoirs: XLVI. The lovers of the art

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Memoirs: XLVII. From such a speciman

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Memoirs: XLVIII. Handel having now long enough in Italy

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Memoirs: XLIX. This person

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Memoirs: L. We soon shall have occasion

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Memoirs: LI. This person was Baron Kilmanseck

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Memoirs: LII. But he also expressed his apprehensions

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Memoirs: LIII. He had leave to be absent

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Memoirs: LIV. He had leave to be absent

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Memoirs: LV. When he had paid his respects

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Concerto for Orchestra in D Major with Organ obligato (Arr. by Sir Hamilton Harty): I. Largo

02:31

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Concerto for Orchestra in D Major with Organ obligato (Arr. by Sir Hamilton Harty): II. Allegro ma non troppo

01:59

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Concerto for Orchestra in D Major with Organ obligato (Arr. by Sir Hamilton Harty): III. Grave

00:29

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Concerto for Orchestra in D Major with Organ obligato (Arr. by Sir Hamilton Harty): IV. Allegro

02:39

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Concerto for Orchestra in D Major with Organ obligato (Arr. by Sir Hamilton Harty): V. Finale

00:32

Handel: Memoirs 2

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Memoirs: XIV. The advantages which he drew

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