Bad Gays

Hosts: Huw Lemmey & Ben Miller

A podcast about evil and complicated queers in history. Why do we remember our heroes better than our villains? Hosted by Huw Lemmey and Ben Miller. Learn more: www.badgayspod.com read less

Eugen Sandow (with Ruby Hann)
01-06-2022
Eugen Sandow (with Ruby Hann)
Happy Pride! We invited Ruby Hann, who completed her MA in History in 2020 and her MSc in History in 2021, both at the University of Edinburgh, to talk about Eugen Sandow, the bodybuilder who spread the cult of muscle around the world. Her research is focused on masculinity, sexuality, and the body in early twentieth century Britain. Ruby is not currently in academia, but she still occasionally writes, lectures, and attends conferences. You can follow her Twitter @RubyVolunteers to find her work.  Our book is available at badgayspod.com/book along with tour dates in the US and the UK! SOURCES: Budd, M. A. The Sculpture Machine: Physical Culture and Body Politics in the Age of Empire. New York: New York University Press, 1997. Chapman, David. Sandow the Magnificent: Eugen Sandow and the Beginnings of Bodybuilding. Urbana: University of Illinois Press, 1994. Dyer, Richard. White: Twentieth Anniversary Edition, 2nd ed. London: Routledge, 2017. Waller, David. The Perfect Man: The Muscular Life and Times of Eugen Sandow, Victorian Strongman. Brighton: Victorian Secrets Limited, 2011. Waugh, Thomas. Hard to Imagine: gay male eroticism in photography and film from their beginnings to Stonewall. New York: Columbia University Press, 1996. Brauer, Fae. ‘Virilizing and Valorizing Homoeroticism: Eugen Sandow’s Queering of Body Cultures Before and After the Wilde Trials’, Visual Culture in Britain 18:1 (2017), 35–67. Conrad, Sebastian. ‘Globalizing the Beautiful Body: Eugen Sandow, Bodybuilding, and the Ideal of Muscular Manliness at the Turn of the Twentieth Century’, Journal of World History 32:1 (2021), 95–125. Elledge, Jim. ‘Eugen Sandow’s gift to gay men’, The Gay & Lesbian Review Worldwide 18:4 (2011). Mullins, Greg. ‘‘Nudes, Prudes, and Pigmies: The Desirability of Disavowal in "Physical Culture"’, Discourse 15:1 (1992), 27–48. Snow, K. Mitchell. ‘Does this fig leaf make me look gay? Strongmen, statue posing and physique photography’, Early Popular Visual Culture 17:2 (2019), 135–155. Watt, Carey A. ‘Cultural Exchange, Appropriation and Physical Culture: Strongman Eugen Sandow in Colonial India, 1904–1905’, The International Journal of the History of Sport 33:16 (2016), 1921–1942.
Jeffrey Dahmer
15-03-2022
Jeffrey Dahmer
For white, suburban, heterosexual middle America, Jeffrey Dahmer, like AIDS, was the natural, even the righteous, consequence of homosexual promiscuity. He remains one of the exemplary constructions of the supervillain serial killer, the perfect subject of a true crime story. Today’s episode is about Jeffrey Dahmer as man and metaphor: about the phenomenon of the serial killer-monster, about the ways in which homophobia, racism, and the various true crime myths Dahmer helped reify ironically impeded his arrest and enabled his crimes, and about the twisted, slap-happy identification with Dahmer pursued by some gay men. ----more---- SOURCES: ABC News. “Jeffrey Dahmer Hero Charged With Homicide.” ABC News. Accessed March 15, 2022. https://abcnews.go.com/US/jeffrey-dahmer-hero-tracy-edwards-charged-homicide/story?id=14853608. Barron, James. “Milwaukee Police Once Queried Suspect.” The New York Times, July 27, 1991, sec. U.S. https://www.nytimes.com/1991/07/27/us/milwaukee-police-once-queried-suspect.html. AP NEWS. “Dahmer Case Raises Complaints of Racism With PM-Dahmer Confession, Bjt.” Accessed March 15, 2022. https://apnews.com/article/6452017abebdb9eaa87e90817bf59b7e. AP NEWS. “Dahmer Tells Judge He Blames Nobody But Himself With PM-, AM-Dahmer Sentencing, Bjt.” Accessed March 15, 2022. https://apnews.com/article/49045923cf0d3c1a0ffc82eda398b935. AP NEWS. “Dahmer Tells Judge He Blames Nobody But Himself With PM-, AM-Dahmer Sentencing, Bjt.” Accessed March 15, 2022. https://apnews.com/article/49045923cf0d3c1a0ffc82eda398b935. Davis, Donald A. The Jeffrey Dahmer Story: An American Nightmare. St. Martin’s Paperbacks, 1991. Gage, Gabriella. “True Crime’s Deceits: The Genrefication of Tragedy.” Los Angeles Review of Books, June 21, 2021. https://lareviewofbooks.org/article/true-crimes-deceits-the-genrefication-of-tragedy/. Masters, Brian. The Shrine of Jeffrey Dahmer. London: Hodder & Stoughton, 1993. O’Brien, Brendan. “Homeless Man Who Escaped Cannibal Serial-Killer Jeffrey Dahmer Gets Prison Sentence.” National Post, January 24, 2012. https://nationalpost.com/news/homeless-man-who-escaped-canibal-serial-killer-jeffrey-dahmer-gets-prison-sentence. Sarah McGonagall. “Did You Know? In 1991 Officer John Balcerzak Was Fired after Handing 14 Year-Old Konerak Sinthasomphone Back to the Man He Had Just Escaped from despite Two Bystanders Begging the Officer Not to. Later That Night, Konerak Was Tortured and Killed by That Same Man - Jeffrey Dahmer.” Tweet. @gothspiderbitch (blog), June 19, 2020. https://twitter.com/gothspiderbitch/status/1273785359869116421. Toofab. “The Racist Reason White Cops Handed a Dying 14-Year-Old Back to Jeffrey Dahmer.” Accessed March 15, 2022. https://toofab.com/2020/06/19/white-cops-handed-a-dying-14-year-old-back-to-jeffrey-dahmer/. Tithecott, Richard, and James R. Kincaid. Of Men and Monsters: Jeffrey Dahmer and the Construction of the Serial Killer. Madison: University of Wisconsin Press, 1997. Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.   ----more----
John Wojtowicz
01-03-2022
John Wojtowicz
It's a dog day afternoon: today's episode profiles the bank robber John Wojtowicz, who infamously (and as memorialized in Sidney Lumet's 1975 film DOG DAY AFTERNOON) held up a bank in 1972 to pay for gender-affirming surgery for Elizabeth Eden, his trans girlfriend. Or did he? We take a look, using the story to think through 1972 as a fault line for emerging attitudes about homosexuality and trans femininity, Wojtowicz' surprising involvement in early gay liberation activism in New York City, the DOG DAY AFTERNOON phenomenon and what it says about growing distinctions between gay men and trans women and how they were represented and compensated, and the ethical complications of Wojtowicz as a figure in history and in historical memory. ----more---- Update: Thanks to listener Ziz for pointing out that trans actress Elizabeth Coffey –– one of the legendary ensemble of Dreamlanders who starred in the films of extremely good gay John Waters –– was up for the role of the character in Dog Day Afternoon based on Eden and was turned down for looking ‘too feminine.’ This adds important context regarding the filmmakers’ transphobia and questions of representation and compensation in the film. SOURCES Check out trans historian Zagria’s three part series on Eden and Wojtowicz, with links to some fantastic digitized primary sources at the end: Zagria,  "Liz Eden and Dog Day Afternoon,” (three-part series), Gender Variance Who's Who.   -  https://zagria.blogspot.com/2020/08/liz-eden-and-dog-day-afternoon-part-i.html - https://zagria.blogspot.com/2020/08/liz-eden-and-dog-day-afternoon-part-ii.html  - https://zagria.blogspot.com/2020/08/liz-eden-and-dog-day-afternoon-part-iii.html   Check out Morgan M. Page’s show One From The Vaults, you might want to start here with her three-part series on Street Transvestite Action Revolutionaries: Morgan M Page, “OFTV 3: STAR House, STAR People,” accessed March 1, 2022, https://soundcloud.com/onefromthevaultspodcast/oftv-3-star-house-star-people-1. Anthony Macias, “Gay Rights and The Reception of Dog Day Afternoon (1975),” Film & History: An Interdisciplinary Journal 48, no. 1 (2018): 45–56. Arthur Bell, “Littlejohn & the Mob: Saga of a Heist,” The Village Voice, Vol. XVII, No. 35, August 31, 1972, https://www.villagevoice.com/2011/03/11/the-bank-robbery-that-would-become-dog-day-afternoon/. “The Boys In The Bank,” LIFE Magazine September 22, 1972, LIFE Magazine  Garance Franke-Ruta, “The Prehistory of Gay Marriage: Watch a 1971 Protest at NYC’s Marriage License Bureau,” The Atlantic, March 26, 2013, https://www.theatlantic.com/politics/archive/2013/03/the-prehistory-of-gay-marriage-watch-a-1971-protest-at-nycs-marriage-license-bureau/274357/. Lisa Photos, “The Dog and the Last Real Man,” Journal of Bisexuality 3, no. 2 (March 1, 2003): 43–68, https://doi.org/10.1300/J159v03n02_04. Liz Eden Papers, Collection 6, The Lesbian, Gay, Bisexual, and Transgender Community Center Archive, New York City, New York (digitized) Morgan M. Page, “It Doesn’t Matter Who Threw the First Brick at Stonewall,” June 30, 2019, https://www.thenation.com/article/archive/trans-black-stonewall-rivera-storme/. “The Man Who Robbed a Bank for Love,” BBC News, February 16, 2015, sec. Magazine, https://www.bbc.com/news/magazine-31457718. Regan Reid, “Talking To the Directors Who Made a Doc About the Real Guy Behind ‘Dog Day Afternoon,’” Vice (blog), August 18, 2014, https://www.vice.com/en/article/bn3pd5/talking-to-the-directors-who-made-a-doc-about-the-real-guy-behind-dog-day-afternoon-342. Susan Stryker, Transgender History: The Roots of Today’s Revolution second ed., (New York: Seal Press, 2008). Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.
Cressida Dick (Part Two)
22-02-2022
Cressida Dick (Part Two)
Unusually for this show, which normally focuses on long departed historical figures, today we’re going to talk about someone who’s still very much in the news. Until last week, she was the Commissioner of the Metropolitan Police, London’s police force, and was the first woman and the first LBGTQ person to hold the rank, Dame Cressida Dick. Today, part two of two: we discuss Dick's tenure at the Metropolitan Police, the extrajudicial murder of Jean Charles de Menezes, Dick's cynical deployment of her identity to deflect critique, the spy cops scandal, the botched investigation into gay serial killer Stephen Port, the Met's dismal record on race, and the protests that finally forced Dick out. ----more---- SOURCES: Ramzy Alwakeel, “I Covered Stephen Port’s Murders. I Know Cressida Dick’s Departure Isn’t Enough,” OpenDemocracy, accessed February 22, 2022, https://www.opendemocracy.net/en/opendemocracyuk/cressida-dick-resignation-met-police-stephen-ports-murders/ Anonymous, “Gangs Violence Matrix and Black Londoners,” Text, Mayor’s Question Time, December 10, 2018, https://www.london.gov.uk/questions/2018/5242 Jason Bennetto, “We Are Still Racist, Police Chief Admits,” The Independent, April 21, 2003, sec. News, https://www.independent.co.uk/news/uk/crime/we-are-still-racist-police-chief-admits-116145.html Owen Bowcott and Owen Bowcott Legal affairs correspondent, “Jean Charles de Menezes: Family Lose Fight for Police Officers to Be Prosecuted,” The Guardian, March 30, 2016, sec. UK news, https://www.theguardian.com/uk-news/2016/mar/30/jean-charles-de-menezes-police-officers-shouldshould-not-be-prosecuted-echr Graham Bowley, “Police Erred in Shooting in London, Report Finds,” The New York Times, August 18, 2005, sec. World, https://www.nytimes.com/2005/08/18/world/europe/police-erred-in-shooting-in-london-report-finds.html Caroline Davies, “Stephen Port Laptop Not Inspected until He Had Killed Three Times, Inquest Told,” The Guardian, October 13, 2021, sec. UK news, https://www.theguardian.com/uk-news/2021/oct/13/stephen-port-laptop-not-inspected-until-he-had-killed-three-times-inquest-told Vikram Dodd and Dan Sabbagh, “Daniel Morgan Murder: Inquiry Brands Met Police ‘Institutionally Corrupt,’” The Guardian, June 15, 2021, sec. UK news, https://www.theguardian.com/uk-news/2021/jun/15/daniel-morgan-met-chief-censured-for-hampering-corruption-inquiry Jamie Grierson and Jamie Grierson Home affairs correspondent, “Met Carried out 22,000 Searches on Young Black Men during Lockdown,” The Guardian, July 8, 2020, sec. Law, https://www.theguardian.com/law/2020/jul/08/one-in-10-of-londons-young-black-males-stopped-by-police-in-may Mark Hughes, “Seven Mistakes That Cost De Menezes His Life,” The Independent, December 13, 2008, sec. News, https://www.independent.co.uk/news/uk/crime/seven-mistakes-that-cost-de-menezes-his-life-1064466.html Marina Hyde, “Farewell, Cressida Dick, the Met Chief Only Interested in One Thing: Ignoring Bad Coppers,” The Guardian, February 11, 2022, sec. Opinion, https://www.theguardian.com/commentisfree/2022/feb/11/farewell-cressida-dick-the-met-chief-only-interested-in-one-thing-ignoring-bad-coppers Paul Lewis and Rob Evans, “Secrets and Lies: Untangling the UK ‘spy Cops’ Scandal,” The Guardian, October 28, 2020, sec. UK news, https://www.theguardian.com/uk-news/2020/oct/28/secrets-and-lies-untangling-the-uk-spy-cops-scandal Ben Quinn, “Macpherson Report: What Was It and What Impact Did It Have?,” The Guardian, February 22, 2019, sec. UK news, https://www.theguardian.com/uk-news/2019/feb/22/macpherson-report-what-was-it-and-what-impact-did-it-have Alex S. Vitale, “Cressida Dick Isn’t the Problem. The Police Are the Problem,” OpenDemocracy, accessed February 22, 2022, https://www.opendemocracy.net/en/opendemocracyuk/cressida-dick-metropolitan-police-alex-vitale/ “Trapped in the Gangs Matrix” (Amnesty International, May 2020), https://www.amnesty.org.uk/london-trident-gangs-matrix-metropolitan-police “Review Identifies Eleven Opportunities for the Met to Improve on Stop and Search | Independent Office for Police Conduct” (Independent Office for Police Conduct, October 2020), https://www.policeconduct.gov.uk/news/review-identifies-eleven-opportunities-met-improve-stop-and-search “Stephen Port: How Met Failings Contributed to the Deaths of Three Men,” BBC News, December 10, 2021, sec. UK, https://www.bbc.com/news/uk-59576717. We also encourage people listening to this episode to learn more about organizations combating police violence. Here are some organizations in the UK and around the world engaged in activist work related to this episode:   London Campaign against Police and State Violence http://lcapsv.net/ United Friends and Families Campaign https://uffcampaign.org/ Sisters Uncut https://www.sistersuncut.org/ Inquest  - a charity that focuses on getting truth and accountability for state related deaths https://www.inquest.org.uk/ https://policespiesoutoflives.org.uk/   Kampagne für Opfer Rassistische Polizeigewalt Berlin: https://kop-berlin.de/   Critical Resistance resources on police abolition for US listeners: https://criticalresistance.org/abolish-policing/   Also, follow local Copwatches on Twitter: @HackneyCopWatch @N15Copwatch @LambethCopwatch @CopwatchSthwrk @bizziewatch @MCRcopwatch @BristolCopwatch @KidsOfColourHQ @npolicemonitor    Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.
Cressida Dick (Part One)
15-02-2022
Cressida Dick (Part One)
Unusually for this show, which normally focuses on long departed historical figures, today we’re going to talk about someone who’s still very much in the news. Until last week, she was the Commissioner of the Metropolitan Police, London’s police force, and was the first woman and the first LBGTQ person to hold the rank, Dame Cressida Dick. Today, part one of two: we begin telling Dick's life story and then delve into the history of the Met, its relationship with LGBTQ people, and the conflicting strands of LGBTQ politics that emphasize conflict vs collaboration with the police. Next week: more on Dick herself and her checkered career in the force. ----more---- SOURCES: Many of the sources we used to research this episode will be cited in next week's show notes. For this week: Matt Houlbrook, Queer London: Perils and Pleasures in the Sexual Metropolis, 1918-1957 (Chicago, IL: University of Chicago Press, 2006 Moya Lothian-Maclean, “Lords of the Manor,” Human Resources, accessed February 15, 2022, https://podcasts.apple.com/gb/podcast/human-resources/id1565249472. Asa Seresin, “Lesbian Fascism on TERF Island,” Asa Seresin (blog), February 11, 2021, https://asaseresin.com/2021/02/11/lesbian-fascism-on-terf-island/ “‎Untold: The Daniel Morgan Murder,” accessed February 15, 2022, https://podcasts.apple.com/gb/podcast/untold-the-daniel-morgan-murder/id1114802610. We also encourage people listening to this episode to learn more about organizations combating police violence. Here are four organizations in the UK related to this episode - next week we will add more resources to the show notes with similar groups in the other areas where we have the highest listenership:   London Campaign against Police and State Violence http://lcapsv.net/United Friends and Families Campaign https://uffcampaign.org/Sisters Uncut https://www.sistersuncut.org/Inquest  - a charity that focuses on getting truth and accountability for state related deaths https://www.inquest.org.uk/ Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.
Freddie Mercury
08-02-2022
Freddie Mercury
For a time, one of the world's most famous rock stars – singer of stadium rock anthems that still signify foot-stomping machismo – existed as an avatar of the most exuberant, feared, liberation-era forms of homosexuality: going from a 1970s long hair in skin-tight leotards cut to the navel to a Castro clone with a handlebar moustache who wore fisting T-shirts in his music videos. If the legacy of Mercury and his music often seems to smooth his work, and that of his band, Queen, into a sort of middle-aged, KISS FM everyday normality, here we lean into the contradictions of the charismatic man and the nuances of queer life in the 1970s and 1980s. ----more---- SOURCES John Harris, “The Sins of St Freddie,” The Guardian, January 14, 2005, sec. Music, https://www.theguardian.com/music/2005/jan/14/2 Jim Hutton and Tim Wapshott, Mercury and Me (London: Bloomsbury, 1995); Lesley-Ann Jones, Bohemian Rhapsody: The Definitive Biography of Freddie Mercury (London: Touchstone Press, 2012) Matt Richards and Mark Langthorne, Somebody to Love: The Life, Death and Legacy of Freddie Mercury (London: Weldon Owen, 2016) “Remembering Queen’s Infamous 1981 Tour of South America,” Remezcla (blog), accessed February 8, 2022, https://remezcla.com/features/music/we-remember-queens-infamous-tour-of-latin-america/   Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.
Franco Zeffirelli
01-02-2022
Franco Zeffirelli
A very special opera queen episode profiling an opera queen gone wrong: the Italian opera and film director (of 1968's famous Romeo and Juliet) who fought fascists as a partisan in the hills over Florence, mingled with Visconti and Cocteau and Marais and Chanel, and directed Callas in many of her mid-career triumphs before beginning to harden his style from lush realism to a celebration of set decoration above all. Zeffirelli, born at a time when the last composers whose works still fill the grand opera repertory were dying, faced, like all practitioners of the operatic arts in the 20th century, a choice between making living theatre or dead, ten-ton museum pieces. He chose the museum-piece approach and in so doing did tremendous artistic damage. CONTENT WARNING: THIS EPISODE DISCUSSES CHILDHOOD SEXUAL ABUSE AND RACIST LANGUAGE. ----more---- See Callas in Tosca in 1964 here. See Leontyne Price's costumes for Antony and Cleopatra here and  here. See Zeffirelli's MET Opera Turandot set here. See Waltraud Meier sing the Liebestod here. SOURCES: Duane Byrge, “Franco Zeffirelli, Oscar-Nominated Director for ‘Romeo and Juliet,’ Dies at 96,” The Hollywood Reporter (blog), June 15, 2019, https://www.hollywoodreporter.com/news/general-news/franco-zeffirelli-dead-romeo-juliet-920639/ Rachel Donadio, “Maestro Still Runs the Show, Grandly,” The New York Times, August 18, 2009, sec. Arts, https://www.nytimes.com/2009/08/19/arts/music/19zeffirelli.html Roger Ebert, “Romeo and Juliet Movie Review (1968) | Roger Ebert,” accessed January 31, 2022, https://www.rogerebert.com/reviews/romeo-and-juliet-1968 Johanna Fiedler, Molto Agitato: The Mayhem behind the Music at the Metropolitan Opera (New York: Anchor Books, 2003)  Jonathan Kandell, “Franco Zeffirelli, Italian Director With Taste for Excess, Dies at 96,” The New York Times, June 15, 2019, sec. Arts, https://www.nytimes.com/2019/06/15/arts/music/franco-zeffirelli-dead.html Rebecca Keegan, “The Dark Side of Franco Zeffirelli: Abuse Accusers Speak Out Upon the Famed Director’s Death,” The Hollywood Reporter (blog), June 18, 2019, https://www.hollywoodreporter.com/movies/movie-news/franco-zeffirelli-abuse-accusers-speak-1219298/ Wayne Koestenbaum, The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire (London: Da Capo Press, 2001) Barbara McMahon, “Zeffirelli Tells All about Priest’s Sexual Assault,” The Guardian, November 21, 2006, sec. World news, https://www.theguardian.com/world/2006/nov/21/books.film  Peter Murphy, “Bruce Robinson Interview,” The New Review, accessed January 31, 2022, https://web.archive.org/web/20070707184620/http://www.laurahird.com/newreview/brucerobinson.html John J. O’Connor, “TV Review; Zeffirelli’s Lavish ‘Turandot’ at the Met Opera,” The New York Times, January 27, 1988, sec. Arts, https://www.nytimes.com/1988/01/27/arts/tv-review-zeffirelli-s-lavish-turandot-at-the-met-opera.html Neda Ulaby, “Franco Zeffirelli, Creator Of Lavish Productions On Screen And Stage, Dies At 96,” NPR, June 15, 2019, sec. Obituaries, https://www.npr.org/2019/06/15/514094174/franco-zeffirelli-creator-of-lavish-productions-on-screen-and-stage-dies-at-96 Daniel J. Wakin, “For Opening Night at the Metropolitan, a New Sound: Booing,” The New York Times, September 22, 2009, sec. Arts, https://www.nytimes.com/2009/09/23/arts/music/23opera.html Franco Zeffirelli, Zeffirelli: The Autobiography of Franco Zeffirelli, 1st American ed (New York: Weidenfeld & Nicolson, 1986) “Opera: ‘Falstaff’ Staged by Zeffirelli; New Production of the Met Is Magnificent; Bernstein Conducts —Colzani in Title Role,” The New York Times, March 7, 1964, sec. Archives, https://www.nytimes.com/1964/03/07/archives/opera-falstaff-staged-by-zeffirelli-new-production-of-the-met-is.html Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner. ----more----
Anne Bonny
25-01-2022
Anne Bonny
Are you ready to have your timbers shivered and your mainbrace spliced? Today’s subject is a mysterious one, a historical figure whose life and reputation are confused by propaganda, romance and mythology: the Irish pirate Anne Bonny. We'll use her story to discuss gender, race, and class in the Golden Age of Piracy. Visit www.badgayspod.com for an episode archive, a link to pre-order our book, and more information about the show. ----more---- SOURCES: B. R. Burg, Sodomy and the Pirate Tradition: English Sea Rovers in the Seventeenth-Century Caribbean (New York: New York University Press, 1995) David Cordingly, Women Sailors and Sailors’ Women: An Untold Maritime History (Random House, 2001) Philip Gosse, The History of Piracy (Mineola: Dover Publications, 2012) Charles Johnson and David Cordingly, A General History of the Robberies & Murders of the Most Notorious Pirates (Guilford, Conn: Lyons Press, 2010) Ulrike Klausmann, Marion Meinzerin, and Gabriel Kuhn, Women Pirates and the Politics of the Jolly Roger (Montreal: Black Rose Books, 1997) Peter Linebaugh and Marcus Rediker, The Many-Headed Hydra: Sailors, Slaves, Commoners, and the Hidden History of the Revolutionary Atlantic, Second edition (Boston: Beacon Press, 2013) Marcus Rediker, Villains of All Nations: Atlantic Pirates in the Golden Age (Boston: Beacon Press, 2011) Marcus Rediker, The Amistad Rebellion: An Atlantic Odyssey of Slavery and Freedom (New York, NY: Penguin Books, 2013) Marcus Rediker, Outlaws of the Atlantic: Sailors, Pirates, and Motley Crews in the Age of Sail (Verso Books, 2014) Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.
Philipp, Prince of Eulenburg
18-01-2022
Philipp, Prince of Eulenburg
The "Eulenberg Affair," a series of media scandals about homosexual behavior at the highest levels of the German Imperial court, dragged on in the press for years as it made and broke careers in journalism, sexology, and the court while helping define both Imperial Germany’s relationship to masculinity and the emerging homosexual emancipation movements. Plus drag ballet, Wagnerists, extremely racist paintings, songs about roses, and moustaches with names. ----more---- SOURCES: SOURCES: Robert Beachy, Gay Berlin: Birthplace of a Modern Identity (New York: Vintage, 2014) Miranda Carter, “What Happens When a Bad-Tempered, Distractible Doofus Runs an Empire?,” The New Yorker, June 6, 2018, https://www.newyorker.com/culture/culture-desk/what-happens-when-a-bad-tempered-distractible-doofus-runs-an-empire Norman Domeier, “The Homosexual Scare and the Masculinization of German Politics before World War I,” Central European History 47, no. 4 (2014): 737–59 Norman Domeier, “Scandal & Science – The Power of Sexology in the Eulenburg Affair, 1906-1909,” n.d., http://www.hist.ceu.hu/conferences/graceh/abstracts/domeier_norman.pdf Martin B. Duberman, Jews, Queers, Germans: A Novel/History, Seven Stories Press first edition (New York ; Oakland: Seven Stories Press, 2017) John C. G. Röhl, The Kaiser and His Court: Wilhelm II and the Government of Germany, trans. Terence F. Cole, 1st ed. (Cambridge University Press, 1994) Alex Ross, Wagnerism: Art and Politics in the Shadow of Music (New York: Picador Farrar, Straus and Giroux, 2021) Klaus Theweleit, Male Fantasies, Theory and History of Literature, v. 22-23 (Minneapolis, Minn.: University of Minnesota Press, 1987). Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner. The 15-second clip of "Monatsrose" by Philipp, Prince of Eulenburg is sung by tenor Marcel Wittrisch with orchestra and organ conducted by Bruno Seidler-Winkler: https://www.youtube.com/watch?v=Mq2XXG8JRNU
Francis Bacon
24-12-2021
Francis Bacon
Francis Bacon was an artist whose radical generosity teetered on the edge of self-obliteration –– and he sometimes pulled others over the edge with him. Many of our listeners will be familiar with Bacon’s work, or at least would recognise his idiosyncratic style if they saw it; sweeps of fleshy paint across black fields of colour, portraying contorted, mangled bodies, racks of hanging meat, and the iconic screaming mouth. But Bacon is almost as famous for the way he lived his life: his raucous partying, brutal barbed tongue, and love of boozing made him an emblem of London’s bohemian Soho scene. What linked his work and his life was an obsession with violence, something that he knew intimately.  ----more---- Daniel Farson, The Gilded Gutter Life of Francis Bacon (New York: Pantheon Books, 1993) John Maybury et al., Love Is the Devil: Study for a Portrait of Francis Bacon, Biography, Drama, Romance (BBC Films, British Film Institute (BFI), Arts Council of England, 1998) Michael Peppiatt, Francis Bacon: Anatomy of an Enigma (Abingdon-on-Thames: Routledge, 2019) Richard Curson Smith et al., Francis Bacon: A Brush with Violence, Documentary, Biography (IWC Media, 2017) David Sylvester, Interviews with Francis Bacon, Third edition (New York, NY: Thames & Hudson, 2016). Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.
Violette Morris
22-12-2020
Violette Morris
Violette Morris, a powerhouse athlete with 14-inch biceps, discovered a love for trousers and fast driving while piloting ambulances for the Red Cross during the First World War. But her outrageous and mannish style – she dated Josephine Baker, smoked, and cut her breasts off to better fit behind the wheel of a race car – outraged the respectable upper-middle-class world of women's athletics. And when she was cast out of respectable society, she became a Nazi spy and a sadistic torturer known as the "hyena of the Gestapo." ----more---- SOURCES: Colvin, Kelly Ricciardi. Gender and French Identity after the Second World War, 1944-1954: Engendering Frenchness. London ; New York, NY: Bloomsbury Academic, 2017. Doyle, Jack. “How a Pioneering Lesbian Became the Nazis’ ‘Hyena.’” OZY, May 25, 2015. http://test-2017-elb-web-us-west-2.aws.ozymandias.com/flashback/how-a-pioneering-lesbian-became-the-nazis-hyena/40366. Kessler, Martin. “Violette Morris: Pioneering Female Athlete Turned Nazi Spy.” WBUR, February 24, 2017. https://www.wbur.org/onlyagame/2017/02/24/gestapo-hitler-book-anne-sebba. Mansky, Jackie, and Maya Wei-Haas. “The Rise of the Modern Sportswoman.” Smithsonian Magazine, August 18, 2016. https://www.smithsonianmag.com/science-nature/rise-modern-sportswoman-180960174/. Papirblat, Shlomo. “Sporting Champion, Feminist Icon, Nazi Spy? The Extraordinary Life of Violette Morris.” Haaretz.Com. Accessed December 21, 2020. https://www.haaretz.com/life/books/.premium-sporting-champion-feminist-icon-nazi-spy-the-crazy-life-of-violette-morris-1.6869492. Stryker, Susan. Transgender History. Seal Press, 2008. FemBio: Frauen.Biografieforschung. “Violette Morris.” Accessed December 21, 2020. https://www.fembio.org/biographie.php/frau/biographie/violette-morris/.   Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.