Nikki Iles is a pianist, a professor of jazz at the Royal Academy of Music and the Guildhall School of Music & Drama in London, and a composer. In some ways, I think of her as a British jazz gem, but that would do a disservice to the fact that she’s very much loved in other jazz communities around the globe. Her musical work in the UK has seen her become a leading figure in the British jazz tradition. She is known for her collaborations with vocalists Norma Winstone and Tina May, and has expanded her reputation as leader of the Nikki Iles Jazz Orchestra since the ensemble debuted at the 2018 EFG London Jazz Festival. She’s worked with the Frankfurt Radio Big Band, the WDR Big Band, and led several groups, including The Printmakers comprising a who’s-who of British jazz. Most recently, she was awarded a British Empire Medal (BEM) for ‘Services to Music’ and an Ivor Novello Jazz Ensemble Composition Prize. We chat about her foray into large ensemble writing, her take on British jazz identity, motherhood, and so much more.
Show Notes:
Tracklisting:
- High Lands (feat. Norma Winstone & The Printmakers)
- Wild Oak (for Geri Allen)
- Maybe September (feat. Tina May)
- Westerly (feat. Norma Winstone & The Printmakers)
- The Glide
http://www.nikkiiles.co.uk/
Nikki Iles profiled by John Fordham for London Jazz News
Theme music by The Respect Sextet
Follow The Jazz Session on Twitter, Instagram and Facebook
Subscribe to The Jazz Session’s YouTube Channel
Support The Jazz Session by becoming a member at Patreon.
For $5 a month you’ll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.
You Might Like
