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Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Thema. Andante
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation I. L'istesso tempo
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation II (Sempre espressivo ed assai legato)
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation III. Grave assai
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation IV. Vivace
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation V. Vivace
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation VI. Allegro moderato
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation VII. Adagio
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation VIII. Vivace
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation IX. Grave e sempre molto espressivo
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation X. Poco vivace
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation XI. Allegro agitato
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation XII. Andante sostenuto
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation XIII. Vivace
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Variation XIV. Con moto
Variations and Fugue on a Theme of J.S. Bach, Op. 81 (1904): Fuge. Sostenuto
Sonata for Piano in C Major, HOB. XVI:50: I. Allegro
Sonata for Piano in C Major, HOB. XVI:50: II. Adagio
Sonata for Piano in C Major, HOB. XVI:50: III. Allegro molto
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: Theme (Aria)
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 1, Canon simplex
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 2, all' roverscio
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 3, Canons 1 & 2, motu recto e contrario
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 4, motu contrario e recto
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 5, Canon duplex a 4
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 6, Canon simplex über besagtes Fundament a 3
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 7, Canon simplex a 3
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 8, Canon simplex a 3, il soggetto in Alto
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 9, Canon in unisono post semifusam a 3
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 10, Alio modo, per syncopationes et per ligaturas a 2
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 11, Canon duplex übers Fundament a 5
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 12, Canon duplex über besagte Fundamentalnoten a 5
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 13, Canon triplex a 6
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: No. 14, Canon a 4 per Augmentationem et Diminutionem
14 Canons on the First 8 Notes of the Aria from Goldberg Variations, BWV. 1087: Theme da capo (Aria)
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