27
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 27. Closely associated with Gutrune's motive (Ex.136-40
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 28. Here we come to the end (Ex.141-6)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 29. Complementary to this symbol (Ex.147-9)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 30. One last central symbol (Ex.150-7)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 31. One further motive connected (Ex.158-61)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 32. There are one or two motives (Ex.162-8)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 33. These motives of Alberich & Mime (Ex.169-71)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 34. Quite a number of subsidiary motives (Ex.172-6)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 35. Besides this family of motives (Ex.177-80)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 36. Our final example (Ex.10,181-2)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 37. In the final scene of "Götterdämmerung" (Ex.181-3)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 38. Even more masterly (Ex.184-8)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 39. Now if we return (Ex.189-91)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 40. This masterly way (Ex.192-3)
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