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Double Violin Concerto in D Minor, BWV 1043: II. Largo, ma non tanto (Excerpt)
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During Bach's Nearly Six Years at Köthen
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The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 24 in B Minor, BWV 869: II. Fugue (Excerpt)
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The Second Köthen Composition That Has Come To Define
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Brandenburg Concerto No. 3 in G Major, BWV 1048: I. — (Excerpt)
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However Productive Bach May Have Been at Köthen
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St. Matthew Passion, BWV 244, Pt. 2: No. 39, Erbarme dich, mein Gott, um meiner Zähren Willen (Excerpt)
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Bach’s Musical Activities in the Years Following
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Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro (Excerpt)
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As Well as Its Regular Weekly Concerts
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Musikalisches Opfer, Op. 6, BWV 1079: Sonata à 3, Allegro (Excerpt)
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Despite Bach’s Travelling and Various Guest Appearances
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The Art of Fugue, BWV 1080: Contrapunctus inversus XII à 4 (Excerpt)
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As Well as Exhibiting Bach’s Penchant for the Theoretical Aspect
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Mass in B Minor, BWV 232: Dona nobis pacem (Excerpt) [1]
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We Know of Nothing That Bach Composed After This Movement
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Mass in B Minor, BWV 232: Dona nobis pacem (Excerpt) [2]
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