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2Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro (Excerpt)
Wild, Untamed, Arresting, Yearning, Tortured, Passionate
9 Variations on a March by Dressler, WoO 63: Var. 9, Allegro
Beethoven, It Should Be Said, Was No Mozart
Musik zu einem Ritterballet, WoO 1: I. March (Excerpt)
It Was Probably Waldstein Who, in the Following Months
Piano Trio No. 3 in C Minor, Op. 1 No. 3: IV. Finale (Excerpt)
Notwithstanding His Simmering Resentment Towards Haydn
Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio (Excerpt)
Eight Months After the Charity Concert
Cello Sonata No. 2 in G Minor, Op. 5 No. 2: I. Adagio sostenuto e espressivo (Excerpt)
The Next Few Years Witnessed Multiple Performances
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio (Excerpt)
Less Than Two Years Later
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (Excerpt)
Unfortunately for Beethoven, the Sorrowful Mood
Symphony No. 2 in D Major, Op. 36: I. Adagio molto - Allegro con brio (Excerpt)
Beethoven’s Productivity Continued on His Return to Vienna
Fidelio, Op. 72: Abscheulicher! Wo eilst du hin? (1814 Version) [Excerpt]
Wrapped Up with the Complicated Genesis
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale (Excerpt)
During This Period of Creative Inspiration
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Allegro ma non troppo (Excerpt)
Before the Mega-Concert Took Place
Der glorreiche Augenblick, Op. 136: VI. Chorus. Poco allegro (Excerpt)
Searching for Popular Acclaim at Home in Vienna
Missa solemnis, Op. 123: V. Agnus Dei (Excerpt)
Beethoven Interrupted Work on the Archduke’s Mass
Diabelli Variations, Op. 120: Var. 21, Allegro con brio (Excerpt)
Beethoven Now Turned His Attention to a Work
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt) [1]
After Completion of the Ninth Symphony
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt) [2]
If Beethoven’s Life Was a Hollywood Blockbuster
String Quartet No. 13 in B-Flat Major, Op. 130: V. Cavatina (Excerpt)
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